Thursday, 19 March 2015

Assignment 2: Contexts of Production -- Back To The Future II - (Re-version of script)

Back To The Future II (Scene from 1980s – Re-version set now in 2010s.)
(Café 80’s) 


(Marty walks in and we see that this is where Lou’s Café was in the 1980s. Meghan Trainor – ‘All About That Bass’ is playing in the background. The layout of the café is still basically the same as it was in 1980s. Behind the counter are several TV’s playing shows of the 2010s such as Eastenders, The Great British Bake Off, Peaky Blinders and Coronation Street. Biff, now an old man, is seen in the background. Neither he nor Marty see each other. The café is decorated with various 80’s style decorations. Two people are on their Apple Mac Laptops while drinking cups of coffee and eating piece of cake. Instead of waiters, there are video waiters. One of them, who looks like David Beckham, is talking to a women who is sitting at the counter.) 

"David Beckham": …it's got a hot salsa, avocados, some natural mixture with your choice of beans, chicken, b..b..beef or pork..... 
(Marty stands in the doorway looking a little confused.) 

Customer: Waiter? (A video waiter comes up to him.) Waiter? 
(Suddenly another video waiter, who looks like Barack Obama, comes up to Marty.) 

"Barack Obama": Welcome to the Café 80's, where it's always morning in America, even in the aftern..n..noon. Our special today is mesquite-grilled sushi, Cajun style…
(The screen is "interrupted" by another video waiter on the same video. This one looks like the Osama Bin Laden.) 

"Osama Bin Laden": You must try the hot Satan special! 
(The two waiters begin arguing amongst themselves.) 

Marty: Hey, hey, hey, hey, hey! (The video waiters shut up.) All I want is a Fanta.
(A Fanta in a futuristic bottle appears out of the counter. Marty picks it up and looks at it.) 

Biff: Hey McFly! (Marty turns to Biff.) Yeah, I seen you around. You're Marty McFly's kid, aren't you? 

Marty: Biff? 

Biff: You're Marty Jr! Tough break kid, must be rough being named after a complete butthead.



By Isabelle Pollock

Assignment 2: Contexts of Production (Remakes)

Remakes

Purpose of Remakes:


  • ProfitIf a film made money first time round, then it will also will the next time.
  • AudienceIf audiences liked it before then there is a new one, than more than likely they will like it now and also it will attract new demographics of variety of ages.
  • Good StoryWhy invent a brand new story, if the old one worked just fine.



Willy Wonka and the Chocolate Factory - Original (1971) Vs. Charlie and the Chocolate Factory -Remake (2005)

1971

2005

  • Overall Basis of the Film:

1971 – Directed by Mel Stuart, Gene Wilder as the mysterious and notorious chocolatier, Willy Wonka. The title of this film was changed from the novel title to Willy Wonka and the Chocolate Factory. Peter Ostrum portrayed Charlie Bucket and Jack Albertson played his Grandpa Joe. One of the biggest difference in the two films is that Wonka (1971) is filmed like a musical.


2005 - Directed by Tim Burton and starring Johnny Depp as Willy Wonka, this one shares the novel title, Charlie and the Chocolate Factory. Freddie Highmore portrays Charlie Bucket and David Kelly is Grandpa Joe. Whereas the original film was set like a musical, in this edition, only the Oompa- Loompas break into song.

  • Character of 'Willy Wonka' 

1971 - Stuart's film is more truly a family film. It is sweet, fun and safe for all ages. Wilder's Wonka enjoys teaching the kids a lesson, but he does it in more of the way a schoolteacher would teach a lesson. His feigned cries for "help" are as close as he ever gets to anything evil. Wilder's Wonka is a beloved one for very good reason, as he is far less menacing.  


2005 – Burton's film is a darker, more menacing take on Dahl's story. The book ended with a warm and fuzzy "Wonka wants a family" framing device. Depp's Wonka is more evil compared to Wilder’s. He gets a whole lot of enjoyment from scaring and tormenting those misbehaving kiddies, which for young children, may be seen as more of a scary portrayal of the film.

  • Cinematography:

1971 - Both directors do a tremendous amount with what they are given. Stuart's accomplishments are arguably more commendable, because he made this film without the aid of digital effects. Everything you see in Wonka is practical. Stuart also didn't have a previous film to draw from, so Stuart and the original production design team created everything you see from scratch with only Dahl's novel as a starting point.


2005 - Burton's world is quite possibly even more spectacular, but with no small homage to Stuart's work. The first glance inside the factory is a site to behold, wildly colourful and carefully planned out to the last inch. Unfortunately, he overuses digital effects like computer generated imagery, and although the final film still works on the whole, the CG sometimes doesn't always fit well with the concept of the film.


Carrie Original (1976) Vs Remake (2013)

1976

2013
  • Overall Basis of the Film:


1976 - Directed by Brian De Palma, Carrie, (Sissy Spacek) a young, abused and timid 17-year-old girl discovers she has telekinesis, and gets pushed to the limit on the night of her school's prom by a humiliating prank. 

2013 - Directed by Kimberley Peirce, a  re-addition of the classic horror tale about Carrie White (Chloe Grace Moretz), a shy girl outcast by her peers and sheltered by her deeply religious mother, who unleashes telekinetic terror on her small town after being pushed too far at her senior prom.
  • School Bathroom Scene

1976 – Carrie starts bleeding and is unaware she has started her period, because of her deeply religious mother never informing her about her body changing and how she is growing up  from young girl into now a young lady. She tries to call for help but when the other school girls realised what happened, they start a vicious incident by throwing pads and tampons at her.


2013 – In the modern take on Carrie, a similar incident happens, but to show the common use modern technology in today’s society, we see the schoolgirls taking videos on their phones and uploading them onto YouTube.
  • Prom Scene

1976 - When bucket of big blood is poured over the top of Carrie, as she collects her Prom Queen award on stage, we see through close-shots, the anger on her face by what has just happened. Using her telekinesis powers we see Carrie victims/ fellow school students, get dragged around the gym, shut in doors and sprayed with a hose.


2013 – In this addition of Carrie, the scene is gorier and Carrie actions are more extreme. We see the school students get vividly electrocuted, crushed in bleachers and even more.

  • Final Scene/ Big Finish

1976 – In the final scenes we see Carrie frustration with what has just happened and her mom behaviour around her, so she stabs her mother to death before tearing down the house.


2013 – In this version, the same incident happens again with her mother but before she is buried alive, she comes face-to-face with Sue Snell, who has just seen half of her peers murdered, but still wants to do a good deed for Carrie especially after the horrific way many people treated her, and so tries to warn Carrie out of the house before it crumbles but Carrie refuses and informs Sue about her pregnancy and that she will have a baby girl. 
  • Carrie’s Character

         1976 – Plain looking, almost translucent skin with a sort of weird alien beauty about her.


2013 – Naturally pretty look, who has a “less of an outsider” look.
Annie – Original (1982) Vs. Remake (2014)

1982:

2014:

  • General Storyline

1982 – Set during The Great Depression in the 1930s, orphan Annie from New York City, is taken in by America’s richest billionaire Oliver Warbucks. Annie has a very distinctive look with her curly red hair and freckled face.



2014 – Set in modern day Harlem, orphan Annie is taken in by cell phone mogul and owner of Stacks Mobile, Will Stacks, who is running for mayor. This version of Annie is very different as she is African American and has afro/frizzy styled hair.
  • Character of Oliver Warbucks/ Will Stacks

1982 – The character of Oliver or “Daddy” Warbucks really disliked children, didn’t care about others, had a hatred for many people and offered to look after orphan Annie, cause it looked good for his reputation, but after a while he adapts to Annie and we really see the progression of how becomes to care a lot for Annie.

2014 – The character of Will Stacks, we see really opens up more to the character of Annie, almost straight away, and so we don’t see the same progression like in the original film version.

  • Additional Characters

1982 – We have the character of Punjab, who is Daddy Warbucks’ bodyguard, who could perform magic for no reason.

2014 – There is no appearance of this particular character.









Moodboards:
1950s:

1980s:
 2010s:


2045 Predictions:






Assignment 2: Contexts of Production (Italian Film Industry)